Questões de Inglês - UNESP | Gabarito e resoluções

(UNESP - 2019 - 1 FASE) Examine o cartum de Mick Stevens, publicado pela revistaThe New Yorkerem 15.02.2018 e em seu Instagram, e as afirmaes que se seguem. I. Depreende-se do cartum uma concepo platnica do amor. II. No cartum, o conceito fsico mencionado refora a ideia de amor platnico. III. No cartum, nota-se a atribuio de caractersticas humanas a seres inanimados. Est correto apenas o que se afirma em

(UNESP - 2019 - 1 FASE) Entre 11 de fevereiro e 03 de junho de 2018, o Museu de Arte Moderna de Nova Iorque (MoMA) abrigou a primeira exposio nos Estados Unidos dedicada pintora brasileira Tarsila do Amaral. Leia a apresentao de uma das pinturas expostas para responder a questo. The painting Sleep (1928) is a dreamlike representation of tropical landscape, with this major motif of her repetitive figure that disappears in the background. This painting is an example of Tarsilas venture into surrealism. Elements such as repetition, random association, and dreamlike figures are typical of surrealism that we can see as main elements of this composition. She was never a truly surrealist painter, but she was totally aware of surrealisms legacy. (www.moma.org. Adaptado.) A apresentao refere-se pintura:

(UNESP - 2019 - 1 FASE) She led Latin American Art in a bold new direction Antropofagia (Cannibalism), 1929, a seminal work of Brazilian Modernism by Tarsila do Amaral that is part of a new show of her work at MoMA. In 1928, Tarsila do Amaral painted Abaporu, a landmark work of Brazilian Modernism, in which a nude figure, half-human and half-animal, looks down at his massive, swollen foot, several times the size of his head. Abaporu inspired Tarsilas husband at the time, the poet Oswald de Andrade, to write his celebrated Cannibal Manifesto, which flayed Brazils belletrist writers and called for an embrace of local influences in fact, for a devouring of them. The European stereotype of native Brazilians as cannibals would be reformatted as a cultural virtue. More than a social and literary reform movement, cannibalism would form the basis for a new Brazilian nationalism, in which, as de Andrade wrote, we made Christ to be born in Bahia. The unconventional nudes of A Negra, a painting produced in 1923, and Abaporu unite in Tarsilas final great painting, Antropofagia, a marriage of two figures that is also a marriage of Old World and New. The couple sit entangled, her breast drooping over his knee, their giant feet crossed one over the other, while, behind them, a banana leaf grows as large as a cactus. The sun, high above the primordial couple, is a wedge of lemon. (Jason Farago. www.nytimes.com, 15.02.2018. Adaptado.) De acordo com o artigo de Jason Farago, o Manifesto Antropofgico, escrito por Oswald de Andrade, foi influenciado

(UNESP - 2019 - 1 FASE ) Leia o trecho do artigo de Jason Farago, publicado pelo jornal The New York Times, para responder a questo. She led Latin American Art in a bold new direction Antropofagia (Cannibalism), 1929, a seminal work of Brazilian Modernism by Tarsila do Amaral that is part of a new show of her work at MoMA. In 1928, Tarsila do Amaral painted Abaporu, a landmark work of Brazilian Modernism, in which a nude figure, half-human and half-animal, looks down at his massive, swollen foot, several times the size of his head. Abaporu inspired Tarsilas husband at the time, the poet Oswald de Andrade, to write his celebrated Cannibal Manifesto, which flayed Brazils belletrist writers and called for an embrace of local influences in fact, for a devouring of them. The European stereotype of native Brazilians as cannibals would be reformatted as a cultural virtue. More than a social and literary reform movement, cannibalism would form the basis for a new Brazilian nationalism, in which, as de Andrade wrote, we made Christ to be born in Bahia. The unconventional nudes of A Negra, a painting produced in 1923, and Abaporu unite in Tarsilas final great painting, Antropofagia, a marriage of two figures that is also a marriage of Old World and New. The couple sit entangled, her breast drooping over his knee, their giant feet crossed one over the other, while, behind them, a banana leaf grows as large as a cactus. The sun, high above the primordial couple, is a wedge of lemon. (Jason Farago. www.nytimes.com, 15.02.2018. Adaptado.) A obra Antropofagia (Cannibalism) de Tarsila do Amaral, apresentada na imagem, interpretada pelo autor do artigo como:

(UNESP - 2019 - 1FASE) The Atlantic Slave Trade - 1731 to 1775 Based on the information presented by the map, one can say that, from 1731 to 1775,

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) De acordo com o primeiro pargrafo,

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) No trecho do primeiro pargrafo or one that that has not yet hatched, o termo sublinhado refere-se a:

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) De acordo com o texto, os especialistas

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) No trecho do primeiro pargrafo Yet, success in conquering them remains patchy, o termo sublinhado equivale, em portugus, a:

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) No trecho do primeiro pargrafo can change that in a blink, a expresso sublinhada tem sentido de:

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) No trecho do primeiro pargrafo Moreover, when humans get too close to beasts, o termo sublinhado indica:

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) De acordo com o segundo pargrafo,

(UNESP - 2019 - 2 FASE) Leia o texto para responder, em portugus, s questes 33, 34 e 36. Medieval Monsters: Terrors, Aliens, Wonders Monsters captivated the imagination of medieval men and women, just as they continue to fascinate us today. Drawing on the Morgans superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages. Medieval Monsters will lead visitors through three sections based on the ways monsters functioned in medieval societies. Terrors explores how monsters enhanced the aura of those in power, be they rulers, knights, or saints. A second section on Aliens demonstrates how marginalized groups in European societies such as Jews, Muslims, women, the poor, and the disabled were further alienated by being figured as monstrous. The final section, Wonders, considers a group of strange beauties and frightful anomalies that populated the medieval world. Whether employed in ornamental, entertaining, or contemplative settings, these fantastic beings were meant to inspire a sense of marvel and awe in their viewers. Medieval Monsters: Terrors, Aliens, Wonders runs from June 8 to September 23, 2018 at The Morgan Library Museum. (www.themorgan.org, s/d. Adaptado.) a) De acordo com o primeiro pargrafo, qual a justificativa para uma exposio de iluminuras de monstros da Idade Mdia atualmente? Qual a proposta da exposio? b) O que os grupos sociais retratados na seo Aliens tm em comum? Qual era a consequncia, na Idade Mdia, de se retratar esses grupos sociais como monstros?

(UNESP - 2019 - 2 FASE) Leia o texto para responder, em portugus, s questes 33, 34 e 36. Medieval Monsters: Terrors, Aliens, Wonders Monsters captivated the imagination of medieval men and women, just as they continue to fascinate us today. Drawing on the Morgans superb collection of illuminated manuscripts, this major exhibition, the first of its kind in North America, will explore the complex social role of monsters in the Middle Ages. Medieval Monsters will lead visitors through three sections based on the ways monsters functioned in medieval societies. Terrors explores how monsters enhanced the aura of those in power, be they rulers, knights, or saints. A second section on Aliens demonstrates how marginalized groups in European societies such as Jews, Muslims, women, the poor, and the disabled were further alienated by being figured as monstrous. The final section, Wonders, considers a group of strange beauties and frightful anomalies that populated the medieval world. Whether employed in ornamental, entertaining, or contemplative settings, these fantastic beings were meant to inspire a sense of marvel and awe in their viewers. Medieval Monsters: Terrors, Aliens, Wonders runs from June 8 to September 23, 2018 at The Morgan Library Museum. (www.themorgan.org, s/d. Adaptado.) a) Com que funo eram empregadas as iluminuras da seo Wonders na Idade Mdia? Qual era o efeito produzido sobre o pblico? b) Em que seo da exposio a imagem Siren, apresentada no texto, poderia estar localizada? Justifique sua resposta com base nas caractersticas dos grupos representados em cada seo.

(UNESP - 2019 - 2 FASE) Leia o texto para responder, em portugus, s questes 35 e 36. Medi-evil: the monstrous middle ages Monsters are still everywhere. Godzilla keeps stomping through silver-screen cities, zombies lurch through eight seasons of the TV series The Walking Dead and the vampires of Twilight nibble necks across thousands of pages of the book series by Stephanie Meyer. But those looking for some historical context should head to the Morgan Library and Museum in New York to see around 70 works (such as illuminated manuscripts) from the 9th to the 16th century that show how ogres of the imagination have always inspired terror and wonder. In a time when the distant was unknowable, they filled the gaps. Almost always from afar, the monster was a substitute for those perceived to stray from the norm. Keep your eyes peeled for a perennial medieval favourite, the Blemmyae: disgusting headless humanoids with their faces transplanted onto their chests. These were quite possibly the inspiration for Guillermo Del Toros Pale Man in the film Pans Labyrinth (2006) a horrifying fellow whose eyeballs peer out abjectly from his clawed hands. (https://espresso.economist.com, 09.06.2018. Adaptado.) a) De acordo com o texto, cite dois exemplos de monstros que ocorrem em obras contemporneas. b) De acordo com o texto, que tipo de sensao os monstros Blemmyae despertam? Por que os Blemmyae podem ter sido a inspirao para a criao do Homem Plido no filme O labirinto do fauno (2006)?