(UNICAMP - 2005 - 2a fase - Questo 13) KATIE WENT TO HAITI Refrain 1 Katie went to Haiti, Stopped off for a rest. Katie met a natie, Katie was impressed. After a week in Haiti She started to go away, Then Katie met another natie, So Katie prolonged her stay. After a month in Haiti She decided to resume her trip, But Katie met still another natie And Katie missed the ship. So Katie lived in Haiti, Her life there, it was great, Cause Katie knew her Haiti And practically all Haiti knew Katie R. Kimball (ed.), The complete lyrics of Cole Porter. N. York: Da Capo, 1992. Vocabulrio de apoio: natie: native cause: because Segundo a cano, quantas vezes Katie tentou deixar o Haiti e o que aconteceu nessas ocasies?
(UNICAMP - 2005 - 2a fase - Questo 21) On Wednesday, the police in Oslo said that they were still frantically investigating the theft of the two Munch works, stolen from the Munch Museum on Sunday morning, but that they had no new leads to report. Their main evidence, they said, centers on an abandoned car found not far from the museum; the paintings discarded frames, found in a nearby field; interviews with guards and museumgoers who saw two men, one of them armed with a revolver, enter the museum and wrench the paintings from the walls; and closed-circuit television images of the incident. The men were wearing ski masks that covered their faces, said Jorn-Kristian Jorgensen, an adviser in the information section of the Oslo Police Department. He also informed that no reward has yet been offered for the paintings recovery, though an offer is expected to emerge. The art world is a special world in itself, and probably its more psychiatry than crime, he said of the hunt for the perpetrators. Why are people stealing art that cannot be sold to anyone? What are these people searching for? Are they searching for money? Are they searching for honor within their own criminal world? Investigators specializing in stolen art many of them based in London, the center of Europes art markets say that art thieves in Europe, where most of the high-profile thefts take place, tend to fall into two categories. Some are low-level criminals who are more likely to improvise the operation and dispose quickly of the works, often for a fraction of their value; others are members of organized gangs who use the paintings as collateral or bartering chips in underworld deals involving drugs, forged documents and weapons. In such cases, recovering the paintings, if they are recovered at all, can take years, even decades. Segundo o texto, as pessoas que cometeram o crime em questo tendem a se enquadrar em duas categorias: criminosos improvisados ou membros de gangues organizadas. Descreva o comportamento dos criminosos de cada categoria.
(UNICAMP - 2005 - 2a fase - Questo 20) On Wednesday, the police in Oslo said that they were still frantically investigating the theft of the two Munch works, stolen from the Munch Museum on Sunday morning, but that they had no new leads to report. Their main evidence, they said, centers on an abandoned car found not far from the museum; the paintings discarded frames, found in a nearby field; interviews with guards and museumgoers who saw two men, one of them armed with a revolver, enter the museum and wrench the paintings from the walls; and closed-circuit television images of the incident. The men were wearing ski masks that covered their faces, said Jorn-Kristian Jorgensen, an adviser in the information section of the Oslo Police Department. He also informed that no reward has yet been offered for the paintings recovery, though an offer is expected to emerge. The art world is a special world in itself, and probably its more psychiatry than crime, he said of the hunt for the perpetrators. Why are people stealing art that cannot be sold to anyone? What are these people searching for? Are they searching for money? Are they searching for honor within their own criminal world? Investigators specializing in stolen art many of them based in London, the center of Europes art markets say that art thieves in Europe, where most of the high-profile thefts take place, tend to fall into two categories. Some are low-level criminals who are more likely to improvise the operation and dispose quickly of the works, often for a fraction of their value; others are members of organized gangs who use the paintings as collateral or bartering chips in underworld deals involving drugs, forged documents and weapons. In such cases, recovering the paintings, if they are recovered at all, can take years, even decades. Quais eram as evidncias com que a polcia trabalhava na investigao do crime, na poca em que a matria foi publicada?
(UNICAMP - 2005 - 2a fase - Questo 23) TV-Turnoff Network is a national nonprofit organization that encourages children and adults to watch much less television in order to promote healthier lives and communities. We have reconstructed the Tower of Babel, and it is a television antenna: a thousand voices producing a daily parody of democracy, in which everyones opinion is afforded equal weight regardless of substance or merit. Ted Koppel I find television very educating. Every time somebody turns on the set, I go into the other room and read a book. Groucho Marx The one function TV news performs very well is that when there is no news we give it to you with the same emphasis as if there were. David Brinkley a) Por que Groucho Marx considera a televiso educativa? b) O que David Brinkley afirma sobre os noticirios da TV? )
(UNICAMP - 2005 - 2a fase - Questo 24) O direito de exercer sua cidadania de forma plena tem sido reivindicao, amplamente divulgada na mdia, de vrias minorias. Igualmente divulgados tm sido os argumentos contrrios a essas reivindicaes. Leia a charge abaixo e responda Jack Ohman, The Oregon, 13 de julho de 2004 a) O que os homossexuais reivindicam, segundo o personagem da charge? b) A ironia da charge reside no fato de que seu personagem incapaz de perceber algo. O que ele no percebe?
(UNICAMP - 2005 - 2a fase - Questo 19) On Wednesday, the police in Oslo said that they were still frantically investigating the theft of the two Munch works, stolen from the Munch Museum on Sunday morning, but that they had no new leads to report. Their main evidence, they said, centers on an abandoned car found not far from the museum; the paintings discarded frames, found in a nearby field; interviews with guards and museumgoers who saw two men, one of them armed with a revolver, enter the museum and wrench the paintings from the walls; and closed-circuit television images of the incident. The men were wearing ski masks that covered their faces, said Jorn-Kristian Jorgensen, an adviser in the information section of the Oslo Police Department. He also informed that no reward has yet been offered for the paintings recovery, though an offer is expected to emerge. The art world is a special world in itself, and probably its more psychiatry than crime, he said of the hunt for the perpetrators. Why are people stealing art that cannot be sold to anyone? What are these people searching for? Are they searching for money? Are they searching for honor within their own criminal world? Investigators specializing in stolen art many of them based in London, the center of Europes art markets say that art thieves in Europe, where most of the high-profile thefts take place, tend to fall into two categories. Some are low-level criminals who are more likely to improvise the operation and dispose quickly of the works, often for a fraction of their value; others are members of organized gangs who use the paintings as collateral or bartering chips in underworld deals involving drugs, forged documents and weapons. In such cases, recovering the paintings, if they are recovered at all, can take years, even decades. a) Que ato criminoso motivou a autora a escrever esse t exto e em que dia da semana tal ato foi praticado? b) O oferecimento de recompensas uma estratgia freqentemente utilizada durante investigaes criminais. Que informaes o texto fornece, a esse respeito, no caso em questo?
(UNICAMP - 2005 - 2a fase - Questo 18) O que o texto afirma sobre a Etipia?
(UNICAMP - 2004 - 2 fase) O texto a seguir apareceu na revista Mens Health, no nmero de julho/agosto de 2003. Leia-o e responda questo 15. DONT DRINK AND RIDE Alcohol can increase your risk of being hurt in a car accident, even if you arent behind the wheel. A new University of Michigan study reports that men whove been drinking are 50 percent more likely to experience a serious injury during a car accident than sober passengers. Even worse, those injuries tend to be up to 30 percent more severe than in accidents in which alcohol isnt involved. And the increased risk isnt just from poor judgment. Researchers believe alcohol may temporarily weaken cell membranes, making them more likely to rupture during a crash. a) Que alerta feito no texto? b) Segundo a pesquisa descrita no artigo, pessoas alcoolizadas tornam-se mais vulnerveis em acidentes automobilsticos. Por qu?
(UNICAMP - 2004 - 2 fase - Questo 22) Qual o objetivo da fundao Stichting Lezen e o que ela faz para atingi-lo?
(UNICAMP - 2004 - 2 fase - Questo 23) a) A que equivale o ato de ler para Harper Lee? b) Segundo o panfleto, os textos escritos exercem vrias funes culturais. Indique trs delas. c) Ainda segundo o panfleto, que sensao um belo texto pode provocar no leitor?
(UNICAMP - 2004 - 2 fase - Questo 24) Que esteretipo de me quebrado nesses quadrinhos? Por qu?
(UNICAMP - 2004 - 2 fase - Questo 21) a) O que aconteceu com o avio depois que ele foi atingido? b) O que sabemos sobre os dois homens que estavam na aeronave?
(UNICAMP - 2004 - 2 fase - Questo 13) D. H. Lawrence, autor conhecido por discutir a natureza das relaes amorosas em obras clssicas da literatura inglesa (O amante de Lady Chatterley, Mulheres Apaixonadas), publicou, em 1929, o poema abaixo. Leia-o e responda questo 13. O poema acima compara bons maridos a maus maridos. O que eles tm em comum e no que eles diferem?
(UNICAMP - 2004 - 2 fase - Questo 16) Uma ONG (Organizao No-Governamental) norte-americana publicou o anncio abaixo no The New York Times, meses antes de os Estados Unidos declararem guerra ao Iraque em maro de 2003. Leia-o e responda s questes 16, 17, 18 e 19. a) Qual o nome da ONG responsvel pelo anncio e o que ela est propondo ao leitor? b) O nmero que aparece na ilustrao do anncio (13.026) pode ter duas leituras distintas. Que leituras so essas?
(UNICAMP - 2004 - 2 fase) A garota do anncio abaixo fez uma opo por um alimento. Que alimento esse e o que a levou a fazer essa opo?